Mintu Electronics

Details:

Dual 31-band, 1/3-octave Constant Q frequency bands

Switchable boost/cut ranges of ±6 or ±12 dB

Front panel bypass switch

±12 dB input gain range

4-segment LED ladders for monitoring output levels

XLR and TRS Inpts and Outputs

Frequency Response of <10Hz to >50kHz

Dynamic range of greater than 108dB

Input Connectors - 1/4" TRS, female XLR (pin 2 hot)

Input Type - Electronically balanced/unbalanced, RF filtered

Input Impedance - Balanced 40k ohm, unbalanced 20k ohm

Max Input - >+21dBu balanced or unbalanced

CMRR - >40dB, typically >55dB at 1kHz

Output Connectors - 1/4" TRS, male XLR (pin 2 hot)

Output Type - Impedance-balanced/unbalanced, RF filtered

Output Impedance - Balanced 100 ohm, unbalanced 50 ohm

Max Output - >+21dBu balanced/unbalanced into 2k ohm or greater; >+18dBm balanced/unbalanced (into 600 ohm)

Bandwidth - 20Hz to 20kHz, +0.5/-1dB

Frequency Response - <10Hz to >50kHz, +0.5/-3dB

Dynamic Range - Typically >112dB

Signal to Noise Ratio - Typically >95dB

THD+Noise - <0.003%

Interchannel Crosstalk - <-90dB, 20Hz to 20kHz

Bypass Switch - Bypasses the graphic equalizer section in the signal path

Low cut Switch - Activates the 50Hz 12dB/octave high-pass filter

Range Switch - Selects either +/- 6dB or +/-12dB slider boost/cut range

• Automatically and "intelligently" locates and destroys up to 24 frequencies
• Ultra-narrow FBQ filters for extremely effective feedback suppression, while keeping highest sonic quality
• "Set-and-forget" default setting enables immediate and super-easy Feedback Destroyer performance
• Auto mode continuously monitors the mix and automatically sets filters
• Single-Shot mode automatically detects and destroys feedback plus locks the filter until you reset it manually

• Manual mode allows setting of up to 24 fully parametric filters with individual frequency, bandwidth and gain parameters
• Balanced inputs and servo-balanced outputs with ¼' TRS and gold-plated XLR connectors

Audiophile 15-Band Stereo Graphic Equalizer with FBQ Feedback Detection System

• Professional 15-band stereo graphic equalizer for live and studio applications
• Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies and can also be used as audio analyzer
• Dedicated mono subwoofer output with adjustable crossover frequency
• Additional low-cut filter removes unwanted frequencies, e.g. floor rumble
• Highly accurate 4-segment LED output metering and input gain controls for easy level setting
• Ultra-low noise audio operational amplifiers for highest signal integrity

• Servo-balanced inputs and outputs with 1/4" TRS and gold-plated XLR connectors
• Shielded toroidal power transformer for ultra-low noise performance
• High-quality components and exceptionally rugged construction ensure long life
• Conceived and designed by BEHRINGER Germany

The unit includes phantom power and battery supplies as standard. Should the phantom power from the console fail or be accidentally switched off, the AR-133 automatically switches over to the internal 9V battery providing uninterrupted use.

The unit is housed in a rugged aluminium extrusion case, with robust polyurethane end-cheeks which give the AR-133 a very distinctive look.

Input connectors are both 1/4" jack sockets and an XLR socket, the latter meaning that the AR-133 can be used to convert unbalanced signals to a balanced output on XLRs throughout.

The arched case allows cables to run back underneath the unit from the end for neat cable management.

Input attenuation is 0, -20 or -40dB, making the box suitable for instrument, line or amplifier levels on inputs. On the output side, a ground-lift switch is provided for quick solutions to ground-loop problems.

The AR-133 uses an enhanced version of the same audio path as the AR-116, now regarded by many people as a reference standard. The sound quality is legendary, particularly on acoustic and bass guitars.

Numerous applications can be satisfied by the AR-133. For example, as well as the traditional guitar use, the AR-133 can be used with keyboards, DJ consoles, amplifier outputs, and other electronic sources.

An additional bonus is the ability to use the AR-133 as an active balancing device.
More DetailsARCHITECT'S AND ENGINEER'S SPECIFICATIONAR-133 ACTIVE DI BOX / LINE BALANCER
The Active Direct Inject box shall provide a transformer balanced and isolated feed from a source input via a 1/4" TRS jack or 3-pin XLR-type connector. The output of the DI box shall be via an XLR connector. The unit shall also provide a 1/4" TRS jack in parallel with the input to act as a link for line bridging. The link shall be a direct feed from the input, or shall optionally be fed from an actively buffered input signal.
The unit shall be powered either via a phantom power source, or via a standard PP3 type 9 volt battery. An led shall illuminate continuously to show power is provided by a phantom source, or flash approximately every 2 seconds if powered by the battery.
Switches shall be provided for: EARTH LIFT (output pin 1 disconnected from unit ground), INPUT ATTENUATION (of 0, 20 or 40dB), and Power On/Off.
The unit shall be housed in an aluminium extrusion fitted with isolating side-cheeks. The unit shall be sufficiently screened so it is not susceptible to external magnetic fields.
The Active DI box shall be the BSS Audio AR-133.

There is a reason that Tour Sound Professionals and discriminating Audio Contractors choose dbx® DriveRack® products for their high-end tours and installs. The DriveRack products provide the tools that ensure that the system sounds its very best. With the introduction of the new 260, the heritage of unrivaled system/loudspeaker control continues. The 260 capitalizes on the road tested and contractor approved nature of the other products in the DriveRack line. The 260 provides full bandpass and crossover configurations as well as independent output processing and a full time RTA for live sound applications. Contractors will appreciate its control inputs for wall-panel logic control and the patent-pending Advanced Feedback Suppression (AFS™).

The DriveRack 260 continues the legacy of DriveRack series, which has been created by the company that has been redefining the standard of signal processing for more than 30 years. The DriveRack 260 was designed with the purpose and vision of providing state-of-the-art signal processing, while utilizing a simple and intuitive user interface. This goal has been achieved by offering two independent channels of processing power with a linkable 28-Band Graphic Equalizer, industry-standard dbx stereo compressor module, feedback eliminator and the 120A Subharmonic Synthesizer on the input, with a six channel output system that includes parametric EQs, PeakStopPlus® limiters (to provide protection against speaker blowouts) and alignment delay. These features combined with the Wizard setup system and complete DriveWare™ GUI control represent a methodical design that is guaranteed to deliver optimal, all-inclusive processing in a completely scalable system.

Recommended for: Installed, Portable, Tour.

• Feedback Elimination
• 2.7 Seconds of Alignment and Zone Delay
• RS-232 PC GUI control
• Classic dbx Compression and Limiting
• Graphic and Parametric EQ
• Auto-EQ Function
• Full Bandpass, Crossover, and Routing Configurations
• Auto Gain Control
• Pink Noise Generator and fulltime RTA
• Setup Wizard with JBL speaker and Crown Power Amplifier Tunings
• Security Lockout

• Multi format playback rekordbox music management software included
• BEAT Display function visually illustrates the beat position of a song and the playback point
• Auto Beat Loop function
• Auto BPM LOCK easily matches the tempo of songs by simply adjusting the speed to the Master BPM on each player
• Create PLAYLIST function
• DJ Software compatible

Features:

• Multi Format Playback - The CDJ-2000 enables playback of MP3, AAC, WAV and AIFF audio files on CD,DVD-ROM, SD card and USB memory devices.
• Pro DJ Link - New Pioneer Pro DJ Link that enables up to four CDJ-2000/900s to beconnected and share a single music source.
• 6.1” Full Color LCD panel and Graphic User Interface - For displaying song titles, jacket art as well as detailed track information and wave form display of each song so DJs can find informatio nneeded to select a song at a glance.
• Needle Search - Helps DJs instantaneously get to a specific part of a song with a simple touch of the Needle Search pad.
• MIDI - Users can assign various buttons of the CDJ-2000 to trigger other devices, such as DJ effecters and software with MIDI mapping capability.
• Free Rekordbox Music Management Software Included - Both the CDJ-2000 and CDJ-900 turntables include rekordbox, Pioneer’s proprietary music management software that organizes and catalogs a DJ’s entire music library. When music files are imported to rekordbox, the software analyzes each file and prepares them for use specifically with thenew CDJ turntables

Audiophile 31-Band Stereo Graphic Equalizer with FBQ Feedback Detection System

• Professional 31-band stereo graphic equalizer for live and studio applications
• Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies and can also be used as audio analyzer
• Dedicated mono subwoofer output with adjustable crossover frequency
• Additional sweepable high and low-cut filters for each channel remove unwanted frequencies, e.g. floor rumble, hiss etc.
• Highly accurate 12-segment LED input/output metering and input gain controls for easy level setting
• Ultra-low noise audio operational amplifiers for highest signal integrity
• Relay-controlled hard-bypass with an auto-bypass function during power failure (failsafe relay)
• Servo-balanced inputs and outputs with 1/4" TRS and gold-plated XLR connectors
• Shielded toroidal power transformer for ultra-low noise performance
• 3-Year Warranty Program*
• Conceived and designed by BEHRINGER Germany

Alesis midiverb 4 digital effects processor feature:

• Studio grade effects algorithms produce dense, natural reverb, rich chorus, flange, delay, pitch effects and up to three simultaneous multieffects 18 bit a/d ~ d/a converters and 24 bit internal processing for a 20hz-20khz bandwidth and 90db dynamic range, ideal for digital recording.
• 256 powerful programs with 128 spaces for user-created fully programmable effects,many using true stereo parallel processing midi controller routing and assignable footswitch input, for complete creative and realtime control maximum delay time - 1,300 ms, maximum pitch shift range (octaves): ±1 octave, overload warning 18-seg led clip light the midiverb™ 4 is the perfect effects processor for professional project studios and musicians who require an affordable solution for fully-programmable, high-fidelity effects. its excellent effects algorithms produce dense, natural reverb, rich chorus, flange, delay, pitch effects and up to three simultaneous multieffects. the midiverb 4 offers 18 bit a/d and d/a converters and 24 bit internal processing for a 20hz-20khz bandwidth and 90db dynamic range, making it ideal for digital recording. plus, its valuable auto level sensing™ feature can instantly set the optimum input levels...a great time-saver. midiverb 4's thirty-two effects algorithms give you a complete arsenal of fully programmable effects, many using true stereo parallel processing. you can take advantage of the 256 powerful programs with 128 spaces for user-created effects. with its easy-to-use graphic interface, programming your own effects is a snap. and by using midiverb 4's midi controller routing and assignable footswitch input, you'll have complete creative control over every aspect of your sound.